An oil on canvas depicting the Pont Alexandre III at dusk, painted in 2023. At 30 by 21 inches, the format is upright and intimate, well suited to the vertical drama of the bridge's ornate lampposts catching the last of the light against a deepening purple sky.
The Pont Alexandre III is among the most photographed crossings in Paris, completed in 1900 for the Exposition Universelle and named in honour of the Franco-Russian alliance. Its gilded sculptures, Art Nouveau candelabras, and low, single-span arch over the Seine have made it a recurring subject for painters drawn to the city's capacity for theatrical light. The evening hour is a natural choice for this subject: the moment when the electric lamps begin to assert themselves against the fading sky, and the bridge's ornamental excess reads less as civic grandeur than as something more atmospheric and personal.
The curator's own note captures the governing idea concisely: the lamps coming on one by one. That sequential illumination, the bridge waking up lamp by lamp rather than all at once, gives the composition a sense of time passing within a single image. The purple sky sets a cool, receding ground against which the warm points of light would read with quiet insistence. Whether the treatment is broadly impressionistic or more tightly rendered cannot be determined without seeing the work directly, but the subject and palette together suggest a painting interested in transition, in the precise threshold between day and night.